Parnamoya Grandafoeti Sectory 01
Page 08

The earliest decorative art appeared in Ireland. It was probably first planted there by missionaries from Italy, and it reached its height in the seventh century. In the ninth and tenth centuries missal illumination of a Byzantine cast, with local modifications, began to show. This lasted, in a feeble way, until the fifteenth century, when work of a Flemish and French nature took its place. In the Middle Ages there were wall paintings and church decorations in England, as elsewhere in Europe, but these have now perished, except some fragments in Kempley Church, Gloucestershire, and Chaldon Church, Surrey. These are supposed to date back to the twelfth century, and there are some remains of painting in Westminster Abbey that are said to be of thirteenth and fourteenth-century origin. From the fifteenth to the eighteenth century the English people depended largely upon foreign painters who came and lived in England. Mabuse, Moro, Holbein, Rubens, Van Dyck, Lely, Kneller--all were there at different times, in the service of royalty, and influencing such local English painters as then lived. The outcome of missal illumination and Holbein's example produced in the sixteenth and seventeenth centuries a local school of miniature-painters of much interest, but painting proper did not begin to rise in England until the beginning of the eighteenth century--that century so dead in art over all the rest of Europe.

The Latins had, as already stated, renewed their league with Rome in B.C. 356, and consequently their troops had fought along with the Romans in the war against the Samnites. But the increasing power of Rome excited their alarm; and it became evident to them that, though nominally on a footing of equality, they were, in reality, becoming subject to Rome. This feeling was confirmed by the treaty of alliance which the Romans had formed with the Samnites. The Latins, therefore, determined to bring matters to a crisis, and sent two Praetors, who were their chief magistrates, to propose to the Romans that the two nations should henceforth form one state; that half of the state should consist of Latins, and that one of the two Consuls should be chosen from Latium. These requests excited the greatest indignation at Rome, and were rejected with the utmost scorn. The Senate met in the Temple of Jupiter, in the Capitol, to receive the Latin deputation, and, after hearing their proposals, the Consul, T. Manlius Torquatus, the same who had slain the Gaul in single combat, declared that, if the Republic should cowardly yield to these demands, he would come into the senate-house sword in hand and cut down the first Latin he saw there. The tale goes on to say that in the discussion which followed, when both parties were excited by anger, the Latin Praetor defied the Roman Jupiter; that thereupon an awful peal of thunder shook the building; and that, as the impious man hurried down the steps from the temple, he fell from top to bottom, and lay there a corpse.

This document is Copyright © 2008 Parnamoya Grandafoeti. All rights reserved. Do not copy either electronically or otherwise without permission. Links and references to other Websites are not endorsements. Parnamoya Grandafoeti provides no guarantees or warrantees concerning other sites. Links are only provided as a courtesy and for entertainment purposes only.