Parnamoya Grandafoeti Sectory 09
Page 04

All those found in the Northern States are perfectly harmless, the true centipede, whose bite is reputed much more venomous than it really is, being found only in the South. True, some of the centipede group can pinch rather sharply with their beetle-like jaws; and one, our largest and most common species, a brownish red fellow about three inches long and without eyes, can even draw blood if its jaws happen to strike a tender place. When handled it always tries to bite, perhaps out of revenge for the abominably long Latin name given it by its describer. In fact the name is longer than the animal itself--_Sco-lo-po-cryp-tops sex-spi-no-sus_ (Say)--being its cognomen in full. With such a handle attached to it, who can blame it for attempting to bite? Yet, to the scientist up on his Latin, each part of the above name bears a definite and tangible meaning. All the myriapods found in the woods and fields feed upon decaying vegetation, such as leaves, stems of weeds, and rotten wood, and in winter three or four species can usually be found within or beneath every decaying log or stump. One species with very long legs, _Scutigera forceps_ (Raf.), is often found in damp houses or in cellars. It is sometimes called the "wall-sweeper," on account of its rapid ungainly gait, and is even reputed to prey upon cockroaches and other household pests.

At first Dutch art was influenced, even confounded, with that of Flanders. The Van Eycks led the way, and painters like Bouts and others, though Dutch by birth, became Flemish by adoption in their art at least. When the Flemish painters fell to copying Italy some of the Dutch followed them, but with no great enthusiasm. Suddenly, at the beginning of the seventeenth century, when Holland had gained political independence, Dutch art struck off by itself, became original, became famous. It pictured native life with verve, skill, keenness of insight, and fine pictorial view. Limited it was; it never soared like Italian art, never became universal or world-embracing. It was distinct, individual, national, something that spoke for Holland, but little beyond it.

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